*POGO PRINCESS WEEKEND ARTS ROUNDUP*
(genuine Old West flavor, now with fewer brandings!)
Werner Herzog was on Fresh Air on Thursday and blew my mind talking about alienation and futility and the ecstasy of truth in art. I nodded so hard I got whiplash and the kittens stared at me. People have been comparing stuff to Safe for a long time, but Herzog's Grizzly Man is the real deal--Haynes' staring contest with loneliness and quixotic questing transplanted into the Alaskan forest. Herzog in this latest incarno also reminds me of Lars von Trier, only without the bloodlust for persecuted female protagonists. Which creeps me out.
Ladyfest is a-rockin' in Oly-town, right this second. See July 13th post for details & linkages.
Who would've thought the Sugarcubes were Iceland's late-80s college rock answer to Bloomsbury? If you love but sometimes have trouble remembering, as I do, exactly how the Duncan Grant/Clive Bell/Lytton Strachey side of that particular social dodecahedron mapped out, puzzle yr noodle with this one. Click, admire rare group pic, scroll for brainteaser bio.
Maria Raha's awesomely-named Cinderella's Big Score: Women of the Punk and Indie Underground came out way back in January but hasn't gotten too much publicity for some reason. Raha also had a piece in the old Seal Press anthology Young Wives' Tales (in spite of its alarming chick-lit jacket design, said anth was actually not so bad, and queer-inclusive, as I recall).
Inga Muscio's autobiography! Out! Now! Only it's not so much a true autobiography as it is Cunt: Part Deux zeroed in on race and revisionist history.